@ Banter, this is the only forum I frequent. Shocking and sad but true. So I haven't been exposed to this wave of horror.
In fact, I didn't get any hype at all, probably why I enjoyed it so much. But I do understand how hearing... less cultured? people rave about an artwork tends to sour the appreciation of it, if only for a while. That or you just hated it.
But I like to think that on a forum that brings together a crowd of intelligent individuals, we could discuss more closely what made this the best/most annoying (delete as appropriate) film of summer 2010.
YokaI wrote:When watching it, first thing I thought was how similar in many aspects this movie was to Japanese director Satoshi Kon's (R.I.P. ): ) works such as Paprika and various others. A few days later, the director confirms this relation.
Due to this, I can't really say I was "blown away" by the concepts or the ideas of the movie, however it was captured on film in live action superbly. Certainly beats most of whats on Hollywood these days anyway.
I find there's an unfortunate tendency amongst us humans to dismiss something novel as 'not novel enough.' Take Half-Life 2 for example. It brought the gravity gun, and when other games had the
gall to copy it, people spoke up. They conveniently ignored that Half-Life 2 was the pinnacle of over a decade of copy-cat-manship: the FPS genre. Don't get me wrong, FPS is my favourite genre, but the concepts behind it have been so endlessly repeated that we've forgotten who first put a medkit in their game. But this bias against the new(ish) is only natural, since we more readily notice that which is out of the ordinary and remember it for future reference.
Frankly I wouldn't care if Inception was a re-branded 19th century fairy tale; it is still the most complete, imaginative and accomplished film I have seen for a very long while.